Les Cinéphiles in Screen Three

The Odeon Cinema on the BrayfordLes Miserables Cinema Ticket

Sitting in screen three waiting for the audience to quieten, the mobile lights to disappear and the house lights to dim. Oh wait something is happening on the screen, the noise of the public is fading oh no it’s the adverts the racket continues. How long do I have to wait until the adverts finish and the film starts? Why do we have to watch adverts? Why is the cinema forcing us to wait even longer than what they promised? It’s not like I have already waited in a queue for my ticket and my popcorn.

In this world of waiting businesses and supermarkets seek to exploit the society while they are being forced to wait. For example most retailers would have you wait in a queue next to a shelf full of other merchandise they wish to get rid of.

Waiting has become commercialised and somehow we have allowed this. Why have we accepted this? We have accepted this because we want the next best thing, we want the dress that has just come out, we want the smart phone that has just been released, and we want to see that show before it comes out on DVD hence why we go to the cinema.

How can we stop commercial adverts? Can we stop them? Or have we put up with them too much that they are now unstoppable? Do we have to endure watching them every time we watch the television or go to the cinema from now on? Or will they eventually stop?

Well… What are you waiting for?

http://www.youtube.com/watch?v=nTjkhILcAYU

We all talk about how we have no time. Whether it is how we have no time in the morning for breakfast before work or lectures, or have no time to do the dishes before we must rush off to our next destination. Yet we always claim that we feel like we are forever waiting. How does this paradox of waiting for time and having no time occur? Where does this time go? Do we use this unclaimed time effectively?

Waiting, can be split into two different types of waiting, positive and negative waiting. Positive waiting is the waiting you get when you are excited about the outcome, be it waiting for a film or show to start, similarly it could be waiting when you know you have nothing to wait for ‘the feeling of freedom of being imparted… now that he was ‘sorted out’’ ((Augé Marc (1995) Non-Places: Introduction to an Athropology of Supermodernity Croydon: CPI Bookmarque)) this feeling of freedom when you know nothing is waiting for you. Alternatively, negative waiting is waiting that you dread the end of it, be it waiting for some test results either medical or examination. We all have different waiting periods and reasons for waiting, as we all have different ways of dealing with the times of waiting. Waiting is the period in which we wait for the unexpected to start. We wait for all sorts of things and waiting has become built into our social behaviour and culture. Our waiting is influenced by many variables, there is never a prescribed method for dealing with waiting and yet waiting in certain contexts tend to create a similar pattern of group impatience leading to aggressive strategies that are meant to speed up the process of waiting, and yet we still complain that we have no time. Why?

We believe we have no time for anything and become overwhelmed. We focus on the smaller things of the day: Chores, homework, socialising, what we are going to have for meals and other things. We focus on these smaller tasks rather than looking at the larger picture. We struggle to understand this idea that time is endless, forever stretching on wards without us ‘Time waits for no man.’ We live our lives believing that if we do not hurry, if we do not rush, then all the things we plan to do for that day, week, month, year will never come to fruition, passing it off with a “Oh I’ll do it later” or “It’s not that important I’ll do it tomorrow”.

This sense if waiting can be linked back into our performance at the grandstand, firstly, we can look at the idea of the audience having to wait for the performance to begin, and this waiting would be one of positive waiting, a sense of excitement between the audience members as they wait for the performance to happen. We have, as a group highlighted this waiting by making the audience waiting outside the building before the performance begins. This waiting is also similar to the history of the Grandstand, the betters who would have gone to the Grandstand when it was still open they would have waited for both the races to start and the nervous waiting as they watched the horses racing down and they waited for the winning verdict.

Waiting is a considerable theme running throughout the Grandstand, be it historically like waiting for the races to start, or the present with waiting for our performance, or similarly in the future, waiting for the fate of the Grandstand to be determined by the local council.

“Fancy a brew?”

‘The action of staying where one is or delaying action until a particular time or until something else happens.’ This is what we recognise as ‘waiting.’

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Through ‘waiting’ we may or may not recognise what we are or are not doing. The process of making a cup of tea, from the preparation, the ‘waiting’, and then the drinking the cup of tea can be a representation of our lives and ‘waiting’ to achieve our lives achievements.

The kettle can be seen as a representation of us, our lives. For what feels like the never ending boil, until self-satisfaction. Our lives achievements, finally allowing ourselves a well deserved cup of tea. But first, the ‘waiting’ must commence, we must find out what it is that we are waiting for.

We must play the waiting game.

While we are doing that, I think a cup of tea is in order.

Wait.. Stop, look, listen.

crossing button rachel miller

As humans we are constantly decoding and encoding visual signs around us, giving us instantaneous instructions or commands. However there are some signs we have to wait for in order to process our next movements. Generally we would involve waiting with impatience and the most common emotional reaction to that would be frustration. Something as simple as crossing the road involves waiting. Primarily for our own safety we learn to “wait for the green man” from a parent or guardian at an early age and even then  we would feel their harsh but protective grab of the wrist or arm , pulling us back to the pavement making us stay still. Furthermore our infantile ignorance of danger did not  want to  us to wait but to run with excitable impatience to get to the other side. Much to our childhood’s dismay, this wait does exist to protect our lives.

Although the duration of this wait is relatively short in length, if we are in a hurry to be somewhere, it can sometimes pose as an inconvenience and still delay us. However metaphorically, in order for us to continue towards certain things we wish to achieve in life, it would seem  that rushing into things can potentially cause  accidents and long term damage, therefore by waiting we are allowing ourselves to think clearly and observe safely before we step out and act.