Les Cinéphiles in Screen Three

The Odeon Cinema on the BrayfordLes Miserables Cinema Ticket

Sitting in screen three waiting for the audience to quieten, the mobile lights to disappear and the house lights to dim. Oh wait something is happening on the screen, the noise of the public is fading oh no it’s the adverts the racket continues. How long do I have to wait until the adverts finish and the film starts? Why do we have to watch adverts? Why is the cinema forcing us to wait even longer than what they promised? It’s not like I have already waited in a queue for my ticket and my popcorn.

In this world of waiting businesses and supermarkets seek to exploit the society while they are being forced to wait. For example most retailers would have you wait in a queue next to a shelf full of other merchandise they wish to get rid of.

Waiting has become commercialised and somehow we have allowed this. Why have we accepted this? We have accepted this because we want the next best thing, we want the dress that has just come out, we want the smart phone that has just been released, and we want to see that show before it comes out on DVD hence why we go to the cinema.

How can we stop commercial adverts? Can we stop them? Or have we put up with them too much that they are now unstoppable? Do we have to endure watching them every time we watch the television or go to the cinema from now on? Or will they eventually stop?

Well… What are you waiting for?

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We all talk about how we have no time. Whether it is how we have no time in the morning for breakfast before work or lectures, or have no time to do the dishes before we must rush off to our next destination. Yet we always claim that we feel like we are forever waiting. How does this paradox of waiting for time and having no time occur? Where does this time go? Do we use this unclaimed time effectively?

Waiting, can be split into two different types of waiting, positive and negative waiting. Positive waiting is the waiting you get when you are excited about the outcome, be it waiting for a film or show to start, similarly it could be waiting when you know you have nothing to wait for ‘the feeling of freedom of being imparted… now that he was ‘sorted out’’ ((Augé Marc (1995) Non-Places: Introduction to an Athropology of Supermodernity Croydon: CPI Bookmarque)) this feeling of freedom when you know nothing is waiting for you. Alternatively, negative waiting is waiting that you dread the end of it, be it waiting for some test results either medical or examination. We all have different waiting periods and reasons for waiting, as we all have different ways of dealing with the times of waiting. Waiting is the period in which we wait for the unexpected to start. We wait for all sorts of things and waiting has become built into our social behaviour and culture. Our waiting is influenced by many variables, there is never a prescribed method for dealing with waiting and yet waiting in certain contexts tend to create a similar pattern of group impatience leading to aggressive strategies that are meant to speed up the process of waiting, and yet we still complain that we have no time. Why?

We believe we have no time for anything and become overwhelmed. We focus on the smaller things of the day: Chores, homework, socialising, what we are going to have for meals and other things. We focus on these smaller tasks rather than looking at the larger picture. We struggle to understand this idea that time is endless, forever stretching on wards without us ‘Time waits for no man.’ We live our lives believing that if we do not hurry, if we do not rush, then all the things we plan to do for that day, week, month, year will never come to fruition, passing it off with a “Oh I’ll do it later” or “It’s not that important I’ll do it tomorrow”.

This sense if waiting can be linked back into our performance at the grandstand, firstly, we can look at the idea of the audience having to wait for the performance to begin, and this waiting would be one of positive waiting, a sense of excitement between the audience members as they wait for the performance to happen. We have, as a group highlighted this waiting by making the audience waiting outside the building before the performance begins. This waiting is also similar to the history of the Grandstand, the betters who would have gone to the Grandstand when it was still open they would have waited for both the races to start and the nervous waiting as they watched the horses racing down and they waited for the winning verdict.

Waiting is a considerable theme running throughout the Grandstand, be it historically like waiting for the races to start, or the present with waiting for our performance, or similarly in the future, waiting for the fate of the Grandstand to be determined by the local council.

Waiting For Anything

As you’re reading this, you’re waiting. You don’t think so? Well, as you’re sat, looking at the computer screen, your eyes scanning the lines. Searching for anything that you might agree with. Or disagree with, if you’re that way inclined. While all this is going on, you’re waiting.

I’m waiting too. I’m waiting for my mind to decide on a concluding thought about waiting. Only then can I begin to write a post about waiting. While this is happening, I’m reminded of the sit-com Waiting For God. The show starred Stephanie Cole and Graham Crowden as two lively residents of a retirement home, whose time there was spent running circles around the staff as well as their own families. This is what they did while they waited, in this case, for God.

I’m also pondering Samuel Beckett’s Waiting For Godot. The play consists of two characters, Estragon and Vladimir, who continually wait in vain for the arrival of someone named Godot. I’m particularly thinking of the moment in Act One where Estragon struggles to remove a boot, he concludes that “Nothing can be done.” To which Vladimir muses on this thought, the implication that nothing is a thing, and that they must do it.

I suppose the heart of the matter is that while we’re waiting for something; a bus, a train, a coffee to be made, a lecture to be over, our dinner to be cooked, what we are really waiting for is anything. Anything that happens in that moment will instantly be regarded as what happens next. The bus may never come. You could get on the wrong train. The waitress could make a tea instead of the coffee.

My point is simply that while we wait, whatever happens next is exactly what we’ve been waiting for. Whether we know it or not. So the next time you are walking to a bus stop, waiting to get on the bus and you miss it, sit down and relax, enjoy that moment, because it’s exactly what you were waiting for.

Anyway, I’m going to read this now

Waiting For Godot

 

While I’m waiting for something better to do.

“Fancy a brew?”

‘The action of staying where one is or delaying action until a particular time or until something else happens.’ This is what we recognise as ‘waiting.’

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Through ‘waiting’ we may or may not recognise what we are or are not doing. The process of making a cup of tea, from the preparation, the ‘waiting’, and then the drinking the cup of tea can be a representation of our lives and ‘waiting’ to achieve our lives achievements.

The kettle can be seen as a representation of us, our lives. For what feels like the never ending boil, until self-satisfaction. Our lives achievements, finally allowing ourselves a well deserved cup of tea. But first, the ‘waiting’ must commence, we must find out what it is that we are waiting for.

We must play the waiting game.

While we are doing that, I think a cup of tea is in order.

Amazon Orders To Arrive

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I constantly spend on average a couple of days waiting for course books to be dispatched from Amazon.co.uk   I wait anxiously and frustratingly thinking sometimes that they will not arrive, and therefore order products early. I wait for the stock, in particular of Amazon because they have a range of products. Sometimes I only need to wait one day, but these types of products are rather expensive so I  consequently spend more time waiting for the  cheaper products.